Ivano and Marco Rigoletti Buat-trumpets, trombone Ugo-Lepape Vincent Favaro-horn. Rudy Colusso-tuba

Ivano and Marco Rigoletti Buat-trumpets, trombone Ugo-Lepape Vincent Favaro-horn. Rudy Colusso-tuba. J. Strauss-Amor Marsch. JS Bach-Fugue in G minor. D.Sanson / PIČajkovskij-The Swan cracks nuts just before sleeping. André the Fosse-Impromptu Suite. Enrique Crespo-American Suite. Johnson-Dash-Hawkins-Tuxedo Junction. L.Bernstein-West Side Story Suite. David schort G.Gerswin-Tango-Four Hits for Five
Active since 1998, I'm really Pentabrass brass 5 stars!! Since the initial door chimes wired majestic, rather pompous Amor Marsh, announcing the formation humorous, light-hearted, but professional practice. At present the songs brilliantly engages Ugo Favaro that he is not playing the presenter, embraces the tuba drawing loud sounds or metal with the use of the hand on the bell. The 'light' are Buat Ivano and Marco Rigoletti the trumpets that can offer bright harmonic and ... fun. Sitting in central location Rudy Colussi blowing into the tube to draw deep sounds and ironically melodious. door chimes wired Trombone majestic and mighty, the 'French' group Lepape Vincent and bulldozing door chimes wired 'play' with the drawstring. The Fugue in G minor by Bach is performed in the arrangement door chimes wired of the Canadian Brass, the suite from the ballet by Tchaikovsky is proposed in the transcription of irreverent D.Sanson that entertains as well as back to the memories of the Bernstein Suite from West Side Story. Skilled professionals and interpreters arrived rights joyful emotion, stripped from the search of spectacular virtuosity and technicalities which, however, have actually studded interpretation. The music always wins.
FABLE IN MUSIC Laura Catrani-soprano, tenor Mathias Stier, Silvia Frasson-narrator. Stresa Festival Ensemble. Daniel Rustioni director. ANDREA WILL. Marigold and the Land of the Rainbow. Story by Andrea Portera and Zlata Smolova. Libretto by Deborah Pioli, door chimes wired Andrea Portera, Gabriel Santarelli. Work commissioned by the Stresa Festival. First performance.
As befits an international festival, including The Stresa Festival have commissioned a new composition door chimes wired and work in this case, the winner of the contest IV Composition of Weeks, or the young Andrea Portera, recognized as one of the most successful composers contemporaries. The story is very simple, just a fairy tale, inspired by the meanings of the colors, but the skill of the narrator Silvia Frasson has been able to give life to various characters with alternations of timbre and setting with descriptive gestures theatrically. In the music of Puccini door chimes wired Portera echoes the east to the flow of the river to the city of Chrome Policromandia. Coloristic melodies appear and disappear to the alternation of the colors of the mountains. The overture of the colors match each color to a note and starting from Green-fa-we proceed with the Yellow-Sun, the orange-Re, the Red-sol, Blu-La, indigo-Si, and ending with the Viola-MIB. The two voices are the operatic door chimes wired soprano Laura Catrani easy sovracuti in the treble and in the presence of a homogeneous vocal line. The content is Mathias Stier presents pleasing softness in the centers and downs imposed by the writing. Both also appreciated the difficulty of the first performance, also faced difficulties from the Stresa Festival Ensemble door chimes wired under the direction of Maestro Daniele Rustioni that has its roots also in the master class of professional artistic door chimes wired director of the Stresa Festival, Gianadrea Noseda. Rustioni drew pleasing sounds door chimes wired of proving at ease with contemporary music, with a confident gesture and decided.
BACH: Sonatas and Partitas for solo violin door chimes wired ALINA Ibragimova - Johan Sebastian Bach violin. Sonata no. 1 in G minor, BWV 1001, Partita no. 1 in B minor, BWV 1002, Sonata no. 2 in A minor BWV 1003 Partita no. 2 in D minor BWV 1004 Sonata no. 3 in C major BWV 1005, Partita no. 3 in E major BWV 1006.
Monuments of paper and words are used to describe the 'Monument' compositions for solo violin ........: Sonatas and Partitas of Bach are one of the vertices of arrival for the professional violinist, as well as the suites are for the cello and have now been proposed by different artists both in concert and on recording CDs. The surprise at the Stresa Festival was not so well known but the score performer unparalleled excellence of the young Russian door chimes wired Alina Ibragimova. Serious, focused, rather inspired from the first touch of the arc created an invisible piano sound suspended where-as in The Magic Flute-has attracted a stunned audience. Arches and but

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